If you’ve heard Miley cover songs, you know the incredible voice that is often hidden with effects and auto tune. Miley Cyrus’ last album had a few very strong singles, but for the most part the album was not very memorable. Miley Cyrus – “Miley Cyrus & Her Dead Petz” James Coleman and Diwon are a dynamic duo with or without the vox. The non-vocals tracks take on an entirely new life in the context of a full album of beats, a throw back to the days of Prefuse 73, DJ Shadow and RJD2. The beats prove that Dre is still as relevant as he was when he started it all and the features are all picked perfectly.Īfter song placements on Bravo, MTV and Lifetime that featured the boys of Bonhom’s encompassing blend of rhythm and harmonies, they release an all instrumental version of their debut album, “Sex War”, a rarity for a rock group. producing what turned out to be an epic biopic (“Straight Outta Compton”). He knew that his long awaited ‘Detox’ record was just not right and not releasing it probably contributed to his track record of always making the right moves, whether its Beats headphones, or N.W.A to Eminem, or his latest release, ‘Compton’ which sounds as if he had been listening to Kendrick Lamar non-stop while exec. His brilliant videos that look as if he crafted the songs specifically for the scripts and the two stand out tracks on the record, “$ave Dat Money” featuring Fetty Wap and “Professional Rapper” featuring Snoop Doog are not only a sonic testament to his wit, but co-sign proof of his legitimacy.ĭre knows when to move forward and when to hold back. The album as a whole is not what put this record in the running, but following Lil Dicky from Kickstarter hopeful to a house hold hip hop name has been nothing short of a Chanukah miracle. This album sounds as if they locked Ariel Rechtshaid, Dan Auerbach and Mark Ronson in a room and told them to produce a modern record with retro realness. There’s something about the modern mix of soul, rock n’ roll and r’n’b and the Shakes do it as good if not better than anyone releasing records right now. D’angelo is at the height of his artistry, even as an instrumental album, this could change the world of music. The wait was incredibly long, but more than worth it, this albums is so rich, you can taste it. Pulling up to a late night spot in a 60’s drop top cherry red Cadillac, tossing the keys to the valet and being escorted to a private room in the back for what will turn out to be one of the coolest nights of your life is the feeling you get when listening to Tame Impala’s “Currents”, a sonic assembly of nocturnal niceness.ĭ’Angelo And The Vanguard – “Black Messiah” Kendrick did the opposite, his most musically left field record was made and released after all the hype and fandom, he is raps sonic savior from the contrived cuts released daily and its seems to be working, because Lamar is now nominated for 11 Grammy’s. Generally an artist would make an experimental album, which limits their audience, eventually gets fed up, only to make some pop tracks in an attempt to sell out on a stadium level. and Manu Chao and turns them into happy rhythmic dance gems full of melody and instrumentation that’s so infectious, that the average American listener forgets that they don’t understand a word. Bancs picks of the year for 2015 mainly consists of stuff we have been bumping in the car on the way to commercial shoots, in and out of our venues, DJing at clubs and music we have been sharing with our friends this year.īomba Estereo’s latest album, Amanecer, takes the best parts of M.I.A.
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